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A short tutorial on creating Fire Birds
We can use the layer immediately on top of any layer as a mask that only shows parts of the underlying layer. This can produce some interesting effects. In the example below we will make a fire bird, using a greyscale animation sequence as a mask and a real fire sequence.
This is an image from our fire video: 1. Import the fire.avi and the
masking sequence in AfterEffecs: Be sure that the mask is imported as a sequence, so that it appears as a single layer in the timeline. 2. Position the two footages in Timeline mask on top, fire below it, like this: |
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choose Luma Matte from the Fire.avi pop-up. This immediately converts the
layer above it into mask layer and displays on the stage only parts of the
underlying layer, based on the method selected. There are two different
methods and two "inverted" variants. The fist is what we just
used - a greyscale image - you can think of this as of a separate or external
Alpha Channel. The second method uses the actual Alpha of the masking layer.
It's just a matter of preference or it can depend on the sources we have
which masking method to choose. The fire is instantly masked and looks now like this: 3. Give the fire a bit brighter look |
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This makes the brighter zones even brighter and
gives a real fiery look 4. Final adjustments |
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What I finally did here is to Gaussian Blur the lower masking layer, so that it looks more less cut-out and give us this nice glow effect around the edges. You can use the same method to create interesting
effects in many situations - revealing the next scene, display titles,
texturize waterfalls, psychedelic tunnels, etc.
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| More interesting stuff next. tutrorial 1 - cut-out animation | back to tilcheff.110mb.com | tutorial 3 - multi plane 3D simulation |
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tutorials written and developed by nickolay tilcheff, tilcheff © 2006